Music Review: Post Malone’s Country Album ‘F-1 Trillion’ Proves It Was Worth the Wait

 

Post Malone’s highly anticipated country debut, F-1 Trillion, has finally arrived, and it’s clear that this album has been a long time coming. Just two days before the album’s release, Malone made his Grand Ole Opry debut, introduced by none other than Brad Paisley, who praised the rapper-turned-country singer for his impressive career and undeniable “country heart.”

When Malone took the stage, beer in hand, he was his usual charming self, full of “sirs” and “ma’ams” that showcased his effortless blend of humility and charisma. It was clear that Malone was right at home in Nashville, and his new album, F-1 Trillion, solidifies his place as a potential country superstar.

The 18-track album features a star-studded lineup of country music heavyweights, including Dolly Parton, Hank Williams, Jr., Morgan Wallen, Jelly Roll, Lainey Wilson, Tim McGraw, Blake Shelton, Chris Stapleton, Ernest, Sierra Ferrell, HARDY, Billy Strings, and Luke Combs, who appears twice. The result is a record that feels massive and undeniably country, with tracks primed for radio play. But with so many big names involved, one might wonder: Is it possible to have too much of a good thing?

Take the hit “I Had Some Help,” featuring Morgan Wallen, for example. This modern classic has already spent more weeks at No. 1 than any other song this year, and it’s easy to see why. The honkytonk hook, Malone’s signature autotuned vibrato, and the singalong chorus make it feel like more than just a country crossover—it’s a full embrace of the genre, like a warm hug under a blanket of stars in the back of a pickup truck.

Tracks like “Guy For That” with Luke Combs dive into heartbreak and hangovers, while “Pour Me A Drink” with Blake Shelton cranks up the fiddle and celebrates the simple pleasure of a cold one after a long day. “Losers,” featuring Jelly Roll, becomes an anthem for the underdogs, and “Never Love You Again” showcases Sierra Ferrell’s rootsy Americana flair.

Album cover

Interestingly, solo songs are a rarity on F-1 Trillion, with only three tracks featuring Malone alone. This choice reflects his reputation as an artist who thrives on collaboration, constantly appearing on others’ records. This year alone, Malone lent his voice to Beyoncé’s “Levii’s Jeans” from her country-inspired album Cowboy Carter and harmonized with Taylor Swift on “Fortnight,” the lead single from The Tortured Poets Department.

But more importantly, the collaborations on this album demonstrate that Malone is not just dabbling in country music—he’s fully immersing himself in the genre. Unlike some pop stars who have flirted with country as it continues to dominate the cultural landscape, Malone has sought permission to join the Nashville ranks. His approach is respectful, rooted in the country music he grew up on, and the album reflects this authenticity.

The solo tracks, like “Right About You,” offer a nostalgic nod to ’90s country, while the album’s closer, “Yours,” is a touching ballad dedicated to Malone’s 2-year-old daughter. It’s a heartfelt message to her future partner, filled with the kind of emotional depth that country music is known for. “And she might be wearin’ white, but her first dress, it was pink,” he sings. “She might be your better half, but to me, she’s everything.”

On the surface, F-1 Trillion might seem like a departure from the melodic rap that made Malone a household name, with massive hits like “Sunflower” featuring Swae Lee, which became the first song to ever be certified double-diamond. But for those who grew up in the South, where rap and country coexist as staple genres, Malone’s seamless transition into country feels natural and inevitable.

Back in 2015, Malone tweeted, “When I turn 30 I’m becoming a country/folk singer.” Now, at 29, he’s made good on that promise a little early—and the timing couldn’t be more perfect. F-1 Trillion is not just a country album; it’s a testament to Malone’s versatility and his deep connection to the music that shaped him. And for fans, it was well worth the wait.

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